OANA Monthly Meeting on NY’s Film Industry Future & Facilities (April 29th)

We’re excited to feature Adam Gordon, Managing Partner of Wildflower Studios, Astoria’s new film and television production studio. Joining him is Catherine Nasch, Chair of the Eastern Regional Board of United Scenic Artists Local 829. Viewers can watch the livestream and ask questions in real time through YouTube and Facebook chat.

Date/Time:
April 29 at 6:30 PM

Where to Watch:
Live on YouTube and Facebook

Audience Participation:
Viewers can watch the livestream and ask questions in real time through YouTube and Facebook chat.

Confirmed Featured Guests:

• Adam Gordon: Managing Partner of Astoria’s new Film and Video Production Studio, Wildflower Studios.
• Catherine Nasch: Chair, Eastern Regional Board, United Scenic Artists Local 829.

Additional invited guests may participate.

About the Meeting

The film and television industry has long been a core economic driver for Western Queens and an important part of the identity of Astoria and surrounding neighborhoods.

World-famous production facilities in the area have included Silvercup Studios, Broadway Stages, and Kaufman Astoria Studios.

This meeting will focus on Astoria’s new state-of-the-art Wildflower Studios, including the studio itself  supporting modern production techniques. We may also discuss the Wildflower Corp history in the logistics industry, and how this studio is a natural extension of those skills.

We will also examine the broader state of the film and entertainment industry, including how interstate and international competition, new technologies, and changing production models are reshaping the business. the recent bankruptcy of Kayuffman Astoria Studios is a prime example)

The film and entertainment sector has traditionally been one of America’s leading exports, but the industry is facing uncertain times that affect not only corporations, but also actors, artisans, union members, technical crews, production staff, and many local small businesses.

This discussion will also highlight the need for public policy that helps attract productions back to the United States, New York State, and especially New York City.

There is no greater creative backdrop than New York City.